A Toast
I'll get back to guest desks in a day or so--they have been lots of fun. But today, I'm going to talk about my agent.
My first deal was with an unknown (then) publisher called Red Dress Ink. Chick lit was a new phrase, a new genre, and no imprints existed for it. I had this quirky little book called Spanish Disco. I knew it was funny. But I had no idea if anyone would publish it because it didn't fit in any existing genres. He sent it to an editor at a major house, who loved it but said my drunken character would be a tough sell to her editorial committee; Cassie was too edgy, too funny, cursed too much, and mooned a reporter in a restaurant by the tenth chapter. She married her first husband on a dare. However, this lovely editor liked the book so much, she suggested my agent take it to a rival editor she was friends with. To make a LONG story short, thus began the dance of getting the deal. During it, the editor, my agent, and I were scheduled for lunch at Le Cirque--my agent's treat. And the night before (near dawn actually) I got sick and was rushed in an ambulance to the hospital, very, very, very ill.
However, in all the confusion of calling 9-1-1, my agent got a call from my friends in NYC too late to cancel, so he had to show up minus this hot new writer he wanted this editor to meet. For a two-hour lunch, they discussed my book, and she told me later he had been so knowledgable of my work, so deftly handled the discussions, and that was not her typical experience. By the next day, I had a deal to greet me from my morphine haze in the hospital. Thus, my career began.
Since then he has gotten me in US WEEKLY twice as the Hot Book Pick, has had me lunch with producers, seen my work optioned, and negotiated many deals. He has told me when something needs work--painful as that is (and he's not shy about letting me know, much as it hurts . . . we're honest with each other), and he has cheerleaded me and then some. When I've been down, he's long distance held my hand. When I've been back-stabbed by a fellow jealous writer, he's urged me to bask in my own personal happiness and just wish the b**** well. Which I do. ;-) In short, he's in many, many ways enabled me to write. I couldn't do what I do without him.
More than that . . .
He has done it in a way I RESPECT as a human being. If you step on people on your way up, be prepared to have them wave at your ass on the way down. If you gossip and backstab, prepare to let it wash over you as it comes back. And be careful who you're nasty to. I have a BEST friend, a woman I adore, who ghostwrote a book for a supermodel. The agent is a very "hot" one, and the way she spoke to my friend was expletive filled, awful, unnecessary. She loved my friend's work, this agent just has power issues. Or other issues. I hear from editor pals and people in the biz about the way certain agents and authors conduct themselves. I see how a couple of authors behave. And I am not swayed to be like that. I prefer to know that my public face, my agent, is a gentleman and will be honorable.
So there you have it. Here's to you, Mr. Poynor. Thanks for everything.
My first deal was with an unknown (then) publisher called Red Dress Ink. Chick lit was a new phrase, a new genre, and no imprints existed for it. I had this quirky little book called Spanish Disco. I knew it was funny. But I had no idea if anyone would publish it because it didn't fit in any existing genres. He sent it to an editor at a major house, who loved it but said my drunken character would be a tough sell to her editorial committee; Cassie was too edgy, too funny, cursed too much, and mooned a reporter in a restaurant by the tenth chapter. She married her first husband on a dare. However, this lovely editor liked the book so much, she suggested my agent take it to a rival editor she was friends with. To make a LONG story short, thus began the dance of getting the deal. During it, the editor, my agent, and I were scheduled for lunch at Le Cirque--my agent's treat. And the night before (near dawn actually) I got sick and was rushed in an ambulance to the hospital, very, very, very ill.
However, in all the confusion of calling 9-1-1, my agent got a call from my friends in NYC too late to cancel, so he had to show up minus this hot new writer he wanted this editor to meet. For a two-hour lunch, they discussed my book, and she told me later he had been so knowledgable of my work, so deftly handled the discussions, and that was not her typical experience. By the next day, I had a deal to greet me from my morphine haze in the hospital. Thus, my career began.
Since then he has gotten me in US WEEKLY twice as the Hot Book Pick, has had me lunch with producers, seen my work optioned, and negotiated many deals. He has told me when something needs work--painful as that is (and he's not shy about letting me know, much as it hurts . . . we're honest with each other), and he has cheerleaded me and then some. When I've been down, he's long distance held my hand. When I've been back-stabbed by a fellow jealous writer, he's urged me to bask in my own personal happiness and just wish the b**** well. Which I do. ;-) In short, he's in many, many ways enabled me to write. I couldn't do what I do without him.
More than that . . .
He has done it in a way I RESPECT as a human being. If you step on people on your way up, be prepared to have them wave at your ass on the way down. If you gossip and backstab, prepare to let it wash over you as it comes back. And be careful who you're nasty to. I have a BEST friend, a woman I adore, who ghostwrote a book for a supermodel. The agent is a very "hot" one, and the way she spoke to my friend was expletive filled, awful, unnecessary. She loved my friend's work, this agent just has power issues. Or other issues. I hear from editor pals and people in the biz about the way certain agents and authors conduct themselves. I see how a couple of authors behave. And I am not swayed to be like that. I prefer to know that my public face, my agent, is a gentleman and will be honorable.
So there you have it. Here's to you, Mr. Poynor. Thanks for everything.


22 Comments:
Great post, Erica.
Sounds like you have a marvelous relationship with your agent.
I hope to be so lucky some day.
Hi Jude:
I do have a wodnerful relationship with him. I basically posted this because some snarky things were said to someone about me implying I just got my deals with no effort on his part after all the books I have done. Supposedly this was to "compliment" my talent, but it's a backhanded compliment. I cannot tell you how hard this man works. EVERY deal requires effort . . . and yes, I am very lucky to know him. I am lucky to work in this biz. But luck is only a part of it. Hard work is the other part. And in my case, it's my hard work--and his.
E
Well, shucks... if I weren't already in love with my agent, I'd be jealous over yours. ;)
Thanks for sharing that story Erica. Not only is it nice to hear about your quirky (but painful!) first sale, it's also nice to see you have someone on your side, who's only ever wished you well.
That triumphs over any other unfortunate (to say the least) experiences.
xoxo
L.
Wow, Erica. I can only dream of having an agent like that some day! Good advice today. Thanks!
Louise
Hi Louise:
Your agent is yet another relationship in your life. Like all relationships, it starts with some degree of chemistry or compatibility. Sometimes it works, sometimes it doesn't. For me, aside from some obvious red flags, there's a certain amount of discernment and intuition involved in choosing him or her.
Also, undoubtedly every person has, aside from purely business questions, personal things they look for. My requirements come from a character standpoint, and I've been learning recently that for some, character is the furthest thing from their minds.
E
Here's my secret formula for success:
Talent + persistence (hard work) + luck = success.
We only have control over one of those variables--persistence; but, as they say, the harder you work the luckier you get.
I know you work hard, Erica. And, you give back, rare in a business that all-too-often is about "me."
Hi Jude:
I like your formula.
My father was interviewed by a newspaper about me . . . I had said I was "very lucky" when Spanish Disco came out. He told the news reporter, who tracked him down, "She shouldn't say that. She's studied her craft for ten or fifteen years before she sold. She just THINKS she's an overnight success." I stopped to think, and damn if he wasn't correct.
As for giving back . . . it's the only way to live life. If you horde your knowledge and contacts, that's an unattractive way to live. Giving always returns to you tenfold.
E
OH Erica,
I love what you write, and I haven't even cracked one of your books yet... yet.
I like your agent already and I haven't ever met him. I hope to be so lucky someday as to find an agent like that. I'm pretty sure he feels lucky to have found you too.
I also agree with Nidrah's formula for success. It is true everywhere.
You, and I mean all of you, are so inspiring. Thanks for puting your thoughts and words out there.
Ewoh,
I think you might be my long-lost twin brother (born four years after I was. Hey, it was a difficult labor).
You play guitar, I play drums. Let's start a band. We could be the next Van Halen (or at least the mid-life newbie's answer to The Rock Bottom Remainders).
Crack one of Erica's books. She's awesome.
Ewoh and Nidrah:
As long as you sing "All You Need is Tripe," I think your band could be a huge success.
:-)
E
P.S. Thanks, Brian. :-) And thanks for the gracious compliment, Jude.
We could do a rooftop concert, just like The Beatles!
Come to think of it, maybe not.
And if our agent books us at the Sunshine Bar...I'll have to call in a sub for THAT gig. :)
That was truly touching, Erica. :) Here's to fantastic agents!
Jude:
LOL!
We'll have a rider that no concerts will be played at the Sunshine bar.
E
Heather:
Another reason I posted this on my blog was someone who has a very "hot" agent right now, not necessarily a nice human being, but a hot agent, had denigrated another writer's choice of a smaller boutique where she gets a lot of attention. There was some diva-ish crap going on, and I just basically wanted to point out that with agents it's a very personal choice and some people look for different qualities.
I have a saying/expression/philosophy. If you are dating a man who treats you like a goddess but is nasty to your waitress when he takes you out for dinner, run in the opposite direction. People who inherently are nasty to anyone "beneath" them no matter HOW they treat you, have deep-seated elitist issues or power issues or what have you. The "hot" agent I referenced in the comments? She talked to the ghostwriter like she was pond scum but treated the supermodel--decidedly lacking in any sort of morals as a person, as well as lacking in the brains department in this particular case--like she was a Nobel Peace Prize nominee. It's about money and status and so on. So . . . you know, I just wanted my particular story out there as a leaping off point of discussion.
E
Nidrah, having just seen you picture in the most recent post (not this one) I have to say that if we are not brothers, we could at least be cousins :D
If you want me in a band... well, I'll have to start practicing regularly... and immediately. If you compared my playing ability to writing, well, I can barely form a sentence without help. But, like everything else in life, I'm willing to learn. The hard part would be practice sessions... I fear we are in a state of geographic improbability :) or something like that.
We could start with writing the lyrics for All We Need Is Tripe, and then move along from there. We'll attribute it, of course, to our lovely muse Erica. Then we need to deal with the arrangement... how do you arrange for electric kazoos?
Ummm... forgive me for being obtuse, but what and where is the Sunshine Bar? Should it be avoided in general? Have I missed something worth writing about?
Ewoh:
The Sunshine Bar plays a prominent role in The Roofer, my novel about the Irish mob in Hell's Kitchen. It was at one time a real place. And male testicles of people with whom certain bookies had disagreements with, were kept floating in a jar on display.
And yes, this would be a place to avoid. ;-)
E
Got it.
OK, so I need to read The Roofer and avoid the Sunshine Bar.
We could call the band Ewoh's Evil Twin. We'll be the only act around that sells novels after the show instead of CDs.
If we can talk Erica into being our lead singer, it won't matter if we sound good or not. People hear with their eyes, don't ya know. :)
Jude:
I am tone deaf. :-)
E
That's okay, Erica. It'll be our "sound." :)
Jude:
You can be like Phil Spector. My God-awful--but CHEERY voice--can be like a really terrible Springsteen-esque acquired taste, and we can call it the Wall of Sound. Or . . . the Wail of Sound. I know. A groaner to start the day.
E
Erica, I am trying to catch up with you and I'm side-tracked by visions of you fronting a bar band - which sounds ROCKIN'!!!! I loved your comments about your agent relationship, and I love that you stand up for what you believe in. I'll just shout out here that you are a fabulous talented and kind person, and I owe you more than a martini at the next conference....
traci
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