Friday, September 29, 2006

Achlys

Before Chaos, in Greek Mythology, there was Achlys. She was everlasting night, the personification of grief and human misery. And she is a metaphor for Billie Quinn, in one of my books.

It's no accident that Billie has a new ally in Trace of Doubt, in the person of Ben Sato. A Japanese detective, Ben spouts Greek mythology, and he tells her about Achlys. The whole book is about Billie leaving the place of eternal night and misery. She needs to leave it for the light, for morning.

And that's the thing when you write a novel. Chances are you are trying to make the realm of human emotions that much sharper. The grief is deeper and more visceral; love is that much more intense and passionate; anger and fury are enough to propel a character to an act of revenge or to avenge a wrong.

While some authors write books about the ordinary, chances are they are still trying to depict those emotions with a razor-sharp fineness. Otherwise, we'd just be reading about you and me.

Don't get me wrong. People are interesting. Everyone has a story. My life has definitely had its Greek tragedy moments. I have definitely fought some hard-won battles and done some things I think are remarkable given the circumstances. But . . . all in all . . . it's a life. A beautiful life. A life I wouldn't trade. But not terribly interesting except for the people who love me. (Or hate me in the case of my mother-in-law.)

In a novel, you pick 300 pages--you shine the light on a set time, a series of events, a moment. And in that moment, in the interest of propelling the book forward, chances are you're not going to write about your character doing the laundry, going to the bathroom, sleeping. Instead, you shine your light on the deepest moments.

People didn't go to the theater throughout time--Greece, Rome, Japan, London--to watch characters bore them to tears. They went to the theater or the colliseum to see the most intense moments of life--tragedy, comedy, triumph--acted out.

Same with books. Aim deeper, darker, or brighter and more passionate. Take your characters to the place where Achlys resides.

Anyone? What are the most intense emotions of your wip? Or of a favorite book or movie? What MADE it so intense?

10 Comments:

Blogger Jude Hardin said...

There are a few instances in my wip where I probably need to dig deeper into my protag's emotions. Thanks for the reminder, Erica! Great post.

11:45 AM, September 29, 2006  
Blogger Erica Orloff said...

To me,it's taking them to the chasm where a human being thinks they can't take anymore--and then taking them still further.

E

12:41 PM, September 29, 2006  
Blogger Jude Hardin said...

Excellent advice.

12:49 PM, September 29, 2006  
Blogger Naomi said...

My protagonist has to chose between saving a friend or his sister, an unknown to her. If she takes the time to help one, the other will die, and there isn't time to help both. It made me very sad to write it!

4:20 PM, September 29, 2006  
Blogger Ewoh Nairb said...

My protag, the antisocial one-legged thief has a moment in which to choose to save the life of the witch he has come to love, or stay the course and be his same old self. In the moment he chooses to not only save her life, but to offer his up to do it.

That counts, doesn't it?

5:22 PM, September 29, 2006  
Blogger Erica Orloff said...

Naomi:
I often ponder those "impossible" decisions, like Sophie's Choice. I didn't see the movie until maybe 4 or 5 years ago. When I saw it, I was just overwhelmed by it.

E

11:15 PM, September 29, 2006  
Blogger Erica Orloff said...

ewoh:
Totally counts. ;-)

Like Naomi's comment, those "impossible" sacrifices make for real drama.

E

11:15 PM, September 29, 2006  
Blogger LA Burton said...

I love my MC courage. She is independant when it's important. And excepts help even if she doesn't want too.

12:22 AM, September 30, 2006  
Blogger Erica Orloff said...

la:
Courage when the chips are down--great trait.

E

8:16 AM, September 30, 2006  
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