What My English Teacher Never Taught Me
I was fortunate in that all my favorite teachers were my English teachers--I always had great ones for my favorite subject. I looked forward to English class, to spending an entire period talking about books--even when we had to do grammar, I liked it (well, not as much . . . ).
When I got to college, I declared an English major pretty quickly. I used to sit with the spring and fall schedules and read through the English department's course offerings like a kid in a candy shop. I took African literature, and I took an entire semester on Milton. I was in heaven. My university had a wonderful English department and except for one odd-duck of a professor, I attended exciting lectures that I truly enjoyed.
But they can't teach you everything.
So often on this blog, we say being a writer is about learning your craft over a period of years. And in thinking about it, even though I had a minor in creative writing, and even though I attended graduate school briefly at NYU for English/Creative Writing, before running out of money, I learned 90% of what I know about writing AFTER college . . . over the last 15 years.
So I started thinking about some of the things I've learned that either directly contradicted my English teachers or that somehow just could not have been learned in a classroom. Here are a few of mine . . . feel free to add yours in the Comments section.
So how about you? What do you know about writing that your English teachers never told you?
When I got to college, I declared an English major pretty quickly. I used to sit with the spring and fall schedules and read through the English department's course offerings like a kid in a candy shop. I took African literature, and I took an entire semester on Milton. I was in heaven. My university had a wonderful English department and except for one odd-duck of a professor, I attended exciting lectures that I truly enjoyed.
But they can't teach you everything.
So often on this blog, we say being a writer is about learning your craft over a period of years. And in thinking about it, even though I had a minor in creative writing, and even though I attended graduate school briefly at NYU for English/Creative Writing, before running out of money, I learned 90% of what I know about writing AFTER college . . . over the last 15 years.
So I started thinking about some of the things I've learned that either directly contradicted my English teachers or that somehow just could not have been learned in a classroom. Here are a few of mine . . . feel free to add yours in the Comments section.
- I learned you really CAN start a sentence with "and" or "because." In one English class, starting a sentence with "because" was grounds for an automatic D on your paper. I start sentences with those words all the time. Just. Because.
- I learned there's something called PACING. Who knew? When you spend four years of college maxing out on 15- to 20-page short stories, pacing is less of an issue. You can just stick all the best stuff in there, focus on ONE major event (no subplots). And though the short story is sadly fading as an art form in this country for lack of places to publish them, a short story won't teach you about pacing the same way a much longer work will.
- I learned there is such a thing as too many adjectives and overuse of adverbs. My teachers used to call adjectives and adverbs adding in the "details." Now I firmly believe less is more.
So how about you? What do you know about writing that your English teachers never told you?
Labels: English teachers


32 Comments:
I have firsties. YAY!
I think I'm learning more about different styles from reading over the years than from any course I ever took (though I didn't major in literature).
For example, I comb through Dean Koontz's books trying to learn more about metaphors. I think he does them very well.
And Katherine Paterson is a genius at writing books with emotion that draw you in all the way through.
Hi Christine:
I read Neil Gaiman, Margaret Atwood, and a couple of others like some master writing class.
E
That it could be fun. ;-)
Sorry, but Shakespeare never did anything for me. It didn't get interesting until we read The Hobbit and Lord of the Flies.
Funny, I was just thinking about this yesterday. I don't have an English degree; oddly enough, I have a degree in microbiology and public health. And yet I wrote.
Anyway, one of the things I was thinking (mostly in terms of my oldest son, who IS a writer at age 14, but also thinks he wants to be a music teacher/musician) is that one of the problems with English degrees is they're not really about writing, they're about literary analysis, which is a very different animal from writing to be published. There's overlap, to be sure.
It's like the MFA in creative writing. The primary advantage in it is it gives you permission to write for a couple years, but ultimately that MFA doesn't qualify you to be a writer, it qualifies you to teach creative writing.
I have found that reading, reading, reading and writing, writing, writing is probably the best Masters class toward writing and publishing, although I don't doubt there are good teachers/mentors that could help you along the way. And although I'm skeptical, I suspect a few of them could even be found in the English departments of colleges and universities.
Marcia:
I adore Shakespeare. And Beowulf. And Canterbury Tales. Which makes me odd, I am sure. :-)
But I also firmly believe in inspiring kids and students with all different kinds of books and genres.
E
Mark:
Good food for thought.
I think I didn't "really" become a writer until I had something to say. It's not that I couldn't dot the i's and cross the t's, but I don't know that I had a burning voice that had to come out and say something. Being a writer is much more, for me, about my personhood than my editing skills.
And I agree with what you are saying on many levels. But I also know that all that literary analysis does push you to see words and writers in new ways. It offers you that broad exposure so that when you DO have something to say . . . you have a better sense of context in which to say it.
E
After graduating with an English degree, it took twenty years of deprogramming before I came to the realization that not all popular literature is garbage.
Stephen King, for example, is a great writer, no matter what the English Department brainwashed me into thinking.
If I were to teach in a creative writing program, I would encourage my students to read what sells and then to write something that might actually have a chance of selling.
My English teachers never taught me that.
Jude:
My journalism professor actually taught that way. We read creative nonfiction and were supposed to write something we could sell as a book proposal or magazine piece.
E
I took an entire semester on Milton, too! That turned out to be one of my all-time FAVORITE classes as an undergrad. I originally signed up for it because I knew little about him and his work and wanted to find out why he's revered as much as he is...I found out! We spent almost the entire semester on Paradise Lost. Just dissecting it. Such a cool class.
One big thing I've had to "unlearn" since leaving school...write faster. As an undergrad and a MFA student (I didn't finish the program for numerous reasons), we only turned in 50-60 pages a semester for our writing workshops. This meant turning in 15-20 pages every 4 weeks to be critiqued by the group. A 100 pages a year doesn't move a novel along very quickly. And I was writing a novel, not short stories. So, I had to break the habit of revising and polishing the same pages over and over before moving on to the next scene. Now, I'm able to move through an entire draft and get it all down on paper before I revise...it goes so much more quickly! LOL
Oh, and it wasn't as if we weren't allowed to write more during our time as students...those were just the requirements. But I was carrying 18 units and had my family as well (my son was 3 when I started back to school). I'm sure others were able to write their stories a bit faster. :-)
Reading voraciously and blog hopping have made me less insecure about having dropped out of college. The writing community kicks ass in the mentoring department, IMO.
And I love to begin sentences with and. A lot. Because. ;-)
I'm with Jude. English departments foster (cause?) a literary caste system.
In (I think all of) my composition classes in high school and college a sentence fragment earned an automatic F. Even though it's a powerful tool.
And one-sentence paragraphs are okay too, dammit! And while we're at it, so are split infinitives, and prepositions at the end of sentences . . .
Hi Michele:
I always wrote fast--just it seemed to gush out of me. But sustaining that voice beyond 20 pages or so seemed impossible to me at the time.
E
Heather:
I agree. Lots of mentors and buddies.
E
Stephen:
And let's not forget my FAVORITE. Ellipses . . .
E
I'm with Jude too...
I remember attending a writer's conference where Stephen King was a guest speaker. Someone in the audience made a comment about all the silly romance novels and pulp fiction. King pointed out that hey, those authors were published. Who cares if your English teacher thinks they are junk?
As for what I was never taught. In creative writing, sometimes sentence fragments are OK.
What I hated...sentence diagramming! I think it was an approved form of torture the nuns dreamed up!
;)
JLK:
That was the one university course I passed only because the teacher was fond of me. He actually gave me an A or a B. I can remember having absolutely NO sense of what was going on in that class, couldn't wrap my head around it. My head just swam.
E
You said, "Being a writer is much more, for me, about my personhood than my editing skills."
Exactly, Erica! Raising hand here. I relished the novels we read in class, and the compositions were my favorite. The grammar part made me cringe at times. LOL. Probably why I'm not an Enlgish teacher or editor today.
Hi Ladonna:
Don't get me wrong. I love my red pen! :-) But I became a better writer when my worldview was more formed--not necessarily when I learned all the "rules."
E
I learned pacing, scene building and suspense from soap operas. As sad as that is. Mainly I learned how to end chapters so people will want to go on to the next one. To me that's one of the most important skills a writer can learn. THere is a definite difference in a book you can easily put down at the end of a chapter, no matter how much you're enjoying it...and one that propels you to read "just one more chapter" "just one more chapter."
Watching Days of our Lives when I was in college and getting to the cliffhangers before commercials and at the end of the episode made me obsessed to know more (as horrible as that is to admit.)
Though the writing and acting on most soap operas is questionable at best, they DO know how to hook a watcher, and it's the same kind of skill a writer has to employ to hook a reader.
What I learned about writing outside of the English classes? That everything they say you should never do as a debut author goes out the window if you are published. Then you can get away with more.
And NYU is my alma mater!
My son, who writes brilliantly and imaginatively, has received maximum marks for an essay and a fail from different teachers. I asked the teacher to be able to read his fail essay and it was as always really good and evocative, I asked the teacher for an explanation and she told me that the topic was to describe the student's best friend. At the end of Dario's essay, she didn't know what the color of Antony's eyes or hair was. Instead of a direct description of the friend, Dario had given examples of events that explained clearly what this boy was like as a person and I had a very vivid image of him at the end because he was falling over while skiing and laughing when made fun of etc. I challenged the teacher and asked for an outside opinion from another teacher. It came back not only with a pass but a merit. Go figure.
Zoe:
All my friends were hooks on soap operas in college and I could never understand it. They would end with a hook on Friday. But then not resolve it on Monday. LOL! At least with a book there some's promise that it's have an end that ties things up. :-)
E
ello:
Good point. A lot of "Rules" evaporate when you get published.
And I loved NYU. But I just didn't have the money to complete grad school. :-(
E
i think a foundation in english/writing classes is like going to sunday school as a kid. even if you break or bend the rules now, you likely have at least a vague remembrance of what the rules are and whether you can get away with it.
in the sentence starter department, i'm happy to chime in with But. how many times was i told not to start with but? But sometimes, it really is the best choice.
Hi Suzanne:
If you never have . . . read or re-read chapter one of The Little Prince. It says everything about your story.
E
I liked high school and college lit classes, but I'm kind of an odd duck - I love Shakespeare, and Chaucer, and all of the stuff that makes the masses groan. Someone else in comments pointed out that those classes are good for literary analysis... which I love, I could play around with that all day every day... but the academic writing they teach you in regular classes is not the same as fiction writing...
My fiction writing classes were great, but they still didn't teach a lot of the fundamentals of submission and I really didn't get the concept of eliminating backstory and active writing until I'd been writing and reading other writers thoughts, working with crit groups etc...
I think any education is great, though, and worth all of the experience you can pull from it. But when I say, 'any education' that includes what actual writing and world has to offer - if you're there for the learning rather than the end result, you'll get that much farther.
I'm learning how to write concise, tight, and quick articles on one hand. On the other hand I'm allowed freedom to go on and on in my personal writing.
I'm also learning about keywords, crazy little boogers they are, the profs never mentioned one thing about keywords.
Hi Merry:
Submissions and pitches--very little of that is taught in school, though NYU has a post-grad publishing summer session that is excellent.
E
Hi Muse:
See . . . those are the secrets you don't learn until you join the writing fraternity. ;-)
E
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