Something to Say
This is my 670th post. Maybe when I get to a thousand, I'll throw a party. Will I still have something to SAY at 1,000? My guess is yeah. Maybe. If I'm still breathing, I'll have something to say.
Because here's the thing . . . in the comments of yesterday's post, I wrote that I didn't really become a writer, in my mind, until I had something to say. Unlike some of you, who write because you have stories in your head, or because you love romance or spy novels, all great reasons to write, I think I went through some sort of process to where I had a life philosophy, and writing is just a part of it.
And I needed some living under my belt before I got to that point.
Before I arrived that that place, I can see now all my short stories were really just thinly veiled autobiography. It was cheap therapy. Loose-leaf sheets and a pen, not $120 an hour. I hopped on my own Couch.
After I was done, not that any of us are ever REALLY done, writing got much more fictional. The thinly veiled stuff got more elusive. I processed small bits of truth in there, not chunks of real life. I didn't need to mine my own life for story because my life philosophy made living no less hard, but certainly less internally rocky.
So what did I have to say, after all? I see, arced over multiple books, themes of betrayal and survival, of life as an utterly futile and ridiculous and painful and joyful journey in which you must--over and over and OVER again--discover what you are made of and pick yourself up and go on until you move from a place of pain to joy again and start the cycle all over. I see themes of people searching for meaning and wondering if there is a God . . . or if God is found in the strength of family. I see that good and evil constantly battle and that there is no white and black, only muted shades of gray and you struggle to find the truth. I see that the so-called bad guys often behave better than the so-called good ones because they often value what I do--loyalty. I see themes of God not caring WHO you love . . . just THAT you love. In my new YA trilogy, I see that sometimes you must take up the hero's responsibility and crown, not because you want to, but because you love people who need you.
When my work became less of a journal and more of a broader canvas of worldbuilding and characters making their way . . . I had something to say. THEN I really was a writer.
So . . . do you have something to say?
Because here's the thing . . . in the comments of yesterday's post, I wrote that I didn't really become a writer, in my mind, until I had something to say. Unlike some of you, who write because you have stories in your head, or because you love romance or spy novels, all great reasons to write, I think I went through some sort of process to where I had a life philosophy, and writing is just a part of it.
And I needed some living under my belt before I got to that point.
Before I arrived that that place, I can see now all my short stories were really just thinly veiled autobiography. It was cheap therapy. Loose-leaf sheets and a pen, not $120 an hour. I hopped on my own Couch.
After I was done, not that any of us are ever REALLY done, writing got much more fictional. The thinly veiled stuff got more elusive. I processed small bits of truth in there, not chunks of real life. I didn't need to mine my own life for story because my life philosophy made living no less hard, but certainly less internally rocky.
So what did I have to say, after all? I see, arced over multiple books, themes of betrayal and survival, of life as an utterly futile and ridiculous and painful and joyful journey in which you must--over and over and OVER again--discover what you are made of and pick yourself up and go on until you move from a place of pain to joy again and start the cycle all over. I see themes of people searching for meaning and wondering if there is a God . . . or if God is found in the strength of family. I see that good and evil constantly battle and that there is no white and black, only muted shades of gray and you struggle to find the truth. I see that the so-called bad guys often behave better than the so-called good ones because they often value what I do--loyalty. I see themes of God not caring WHO you love . . . just THAT you love. In my new YA trilogy, I see that sometimes you must take up the hero's responsibility and crown, not because you want to, but because you love people who need you.
When my work became less of a journal and more of a broader canvas of worldbuilding and characters making their way . . . I had something to say. THEN I really was a writer.
So . . . do you have something to say?
Labels: internal writing struggles


25 Comments:
I think I have too many "what ifs" in my head. I see stuff and start wondering and stories grow. Daydreaming is my fav activity.
A couch in my journals? Yeah, I think that's there too. I go to a woman's writing group where we get a subject and then free write. I think that's my major therapy session.
It beats all the screaming and scaring the neighbors.
Right now I'm feeling like I should write thinly-veiled speculative fiction on the future downfall of America if we continue down this path.
Oops.
The threads of autobiography are veiled, fictionalized, but they run through everything. I can see them so clearly, and I often wonder if others can see them as clearly, too. They are much more twisted and veiled than they use to be, but... I'm starting to see endless repetition.
I read somewhere that once you identify your *essential wound* -- whether it's betrayal and survival, questioning the existence of God, injustice, abandonment, learning to trust, whatever -- you've got your material for life. Your personal themes keep feeding your writing even when it's fiction and the stories change.
Hi Aimless:
That sounds like a neat group.
E
spy:
Yeah . . . when you step back and look at the body of work instead of a single piece of writing, you start seeing repetition of what you have to say.
E
Tena:
I never head that . . . but it is very true for my own life.
E
For me, writing is more of a catalyst than a vehicle. If that makes any sense. In other words, I write to find understanding rather than to express it.
Tena said it so beautifully! So true. Erica, I'm in awe of your insights. Keep 'em coming, and I look forward to the 1,000 blog party too!
I have so much to say, I fear I don't have enough time left to say it. The question is, does anyone want to hear it.
Jude:
Interesting way to look at it!
E
Thanks Ladonna. I really will have to do SOMETHING for 1,000.
E
Stephen:
Well . . . I'M listening!
E
Yes, I have something to say:
Who did you vote for on SYTYCD last night??? And wasn't that Bollywood number absolutely bombtastic? And don't you think Comfort and Thayne are on their way out tonight? And what did you think of Mia's remarks to Jessica? Mean, but true, yes?
I've always had something to say. I just think through writing I found my voice and decided it was worth hearing.
Writers deal with the same themes, because those are the same themes we try to find answers for.
Karm:
The BOLLYWOOD NUMBER WAS THE MOST AWESOME thing I have ever seen!!!!!!
And yes, those two are on their way out.
And Jessica doesn't deserve Will as a partner--he is awesome.
E
When I first started going to writing classes, I met a lot of people who wrote only about their own lives and disappointments. What got to me was when our precious teacher time was taken up with their whingeing and whining. We all have our baggage and putting it in writing is definitely theraputic but there is a time and place to air your personal life.
You're right that you have to get past that personal therapy stage of your writing before you have something to write that will interest other people. Otherwise it feels too uncomfortable for the reader to get inside another person's psyche. If all that anguish can be translated to interesting, multi-dimensional characters then you have shifted to a different level of writing that is hopefully publishable.
Suzanne:
As a ghostwriter, I have been approached easily a dozen times by people who want "revenge" books written--divorce, infidelty, abuse. They all SAY they want to write a book the "help others" get through divorce and so on. But scratch the surface and it's grandiose dreams about getting even by writing a best-selling book and being famous. Even when they wave lots of money . . . I always turn them down. So not worth it, no matter how wealthy they are.
E
I always have something to say. The real question is...do I have something worth saying. I think as time goes on that answer will be yes. Right now I'm not sure if it's yes, yet. I just have to keep plugging along.
And I totally get you about the bad guys understand loyalty. Very often the good guys don't understand that, and that may be the real reason why in my own fiction I'm so drawn to my bad guys as well.
I really don't think I have anything to say in my writing. To me, it's just about a story that I find interesting. Of course, my characters have to deal with issues along the way because otherwise they'd be pretty boring. But I don't feel like I'm making a statement about how they deal with issues. Maybe I'm just shallow...LOL.
Hi Zoe:
Honor among thieves.
E
Hi Liz:
I know plenty of writers who feel the way you do. Some are romance writers who simply want to tell a great love story the way they envision it.
For me, comedy or darker . . . there's something consistent that emerged . . . and maybe some of it is that transition between working through problems and being on the other side and simply applying what I've learned.
E
I suppose this falls into the "theme" category and yes, I have themes I tend to approach, consciously or not.
I've heard some writers suggest that they didn't really start getting published until they had something to say and I suppose it's true.
I read an interesting article by Joe Hill (Stephen King's son and the author of "Heart-Shaped Box" which really is a terrific novel. He commented that his turning point was when he was riding in the car with his wife and he was reading one of his short stories to him and she said something like, "It's an okay story, but it isn't about anything." He said he got a little ticked about it, but started thinking it over and decided she had a point.
I think that's true, too.
Mark:
When I took creative writing, there was this woman--I remember her distinctly, where she sat, what her name was. And she could craft a sentence. I mean . . . once in a while, she had one that just blew you away. But she always buried them in these pseudo-intellectual, borderline nonsensical, audeince-alienating short stories that intentionally didn't appear to make sense (like waiting for Godot)--only she wasn't writing Godot, only things that made no sense of the sake of being obtuse and oh-so-smart. And after a while, those pretty sentences just didn't matter because she was so impressed with herself she had nothing really to say.
E
Interesting. And I think it's true that the best books and movies have something to say without beating you over the head with the theme. What I love is when I put something in subconsciously, and someone else notices it and compliments me on it. I find that quite amusing.
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